Wants Upon a Time Is a Commedia Dell’arte Interrogation of What Happily Ever After Really Means

Francesca Talenti’s theater work is performed on the Hillsborough Riverwalk on the last Friday of each month through September.

Source: Wants Upon a Time Is a Commedia Dell’arte Interrogation of What Happily Ever After Really Means

Sixteenth-century Italy probably isn’t the first place you’d think to look for experimental filmmaker and futuristic multimedia artist Francesca Talenti. Nor might you have imagined the piquant postmodern playwright, who we last saw programming a thespian robot for her 2013 drama The Uncanny Valley, to choose environmental theater for a follow-up, placing her new work, a one-act for children called Wants Upon a Time, in and around Patrick Dougherty’s biodegradable sculpture “A Sight to Behold” on the Hillsborough Riverwalk.

The fantastical two-story castle of woven branches and sticks, situated a stone’s throw from Weaver Street Market, hosts this playful, punny commedia dell’arte take on the fairy tale of Rapunzel. Talenti has chosen her collaborators with care. Former Red Clay Rambler Jack Herrick and scripter Michael Malone have contributed winsome original songs. Though her troupe of performers swaps roles between shows, stage veteran Jeffrey Blair Cornell anchored a performance featuring talented actors from the local improv comedy scene in the company’s July dates.

In broad comic performances, Deborah Aronin’s winning Rapunzel languishes in her tower prison but fumes when Kit FitzSimons’s narcissistic Prince Vainglorious tries to take all the credit for her rescue. Talenti’s text interrogates exactly what “happily ever after” actually means, and for whom, when Cornell’s socially inept ogre demands his due.

In a script with enough contemporary in-jokes to keep adults amused, no dashing knight or wonderful witch winds up the real hero. You’ll be surprised when you learn who is.

-Byron Woods, Indyweek

Wants Upon a Time

WANTS UPON A TIME


Performed at Patrick Dougherty’s Stick Work Castle


Review: click here



Performers:


Deborah Aronin


Bryce Bowden


Jeffrey Blair Cornell


Drina Dunlap


Sharon Eisner


Kit FitzSimons




Composer: Jack Herrick


Lyricist: Michael Malone


Ukelele Player: Rollie Olin




Designer: Deirdre Shipman




Partially funded by:


The Orange County Arts Commission


The Hillsborough Tourism Board


Jeffrey Blair Cornell

Waver

Lighting and Projection Design for Carole McCurdy’s Waver.




Performed September 15 – 23, 2017 at Defibrillator Gallery, Chicago.




With Geoff Guy, Irene Hsiao, Carole McCurdy, Harlan Rosen, Pamela Strateman, M Wu


Live Vocal + Time Bundle | Eli Halpern


Revolution | Mina Büker


Technical Direction | Jon Satrom


Sound Design | Gray Castle Studios


Costume Design | Carole McCurdy


Shoecraft | Chad Hagedorn


Tango Instruction | Pamela Strateman


Stage Management | Aurora Tabar


A Bride For All Seasons







This is an installation, projected on a white door. The video is silent, and is designed to loop. But here it plays to the third movement of Thomas Oboe Lee’s Piano Concerto “Mozartiana.”

Spring/Air – Summer/Water – Fall/Fire – Winter/Earth


Special thanks to Cameron Ayres, Spencer Brisson, and Jesse Moorefield

Wave Tank

3 Waves from the Wave Tank at UNC’s Fluid Dynamics Lab
Here is a making-of video

This project also exists as an interactive installation: a touch-screen monitor enables you to enlarge any one section of the wave.

Music by Alexei Stanchinsky
Special thanks to Roberto Camassa, Richard McLaughlin, Jesse Moorefield, and my excellent students.